本系列讲述聪明的十五岁双胞胎姐妹丽芙和玛蒂的故事，她们和弟弟乔伊、父母皮特和凯伦欢乐地住在一起。作为学校优等生和篮球队的骄傲，玛蒂的受欢迎程度正在直线上升……直到丽芙完成了她火爆的电视节目，在这所威斯康辛州的中学闪亮登场。加上父母就在这所学校工作，他们的复杂校园生活才刚刚开始。

白家庶女-白月少年时曾救助了一个眼睛受伤的落难少年。少年留下玉佩作为信物。但白月少年其实是太子，在回宫后不久便派人来想接白月进宫。 但白月的表姐利欲熏心，为了荣华富贵决定冒名顶替，不仅偷走玉佩，还火烧了白月一家，后成功入宫成为了太子嫔。太子登基后，成为称霸后宫的宁贵妃。 但白月并没死，而是隐姓埋名躲开了宁贵妃。但宁贵妃因恐惧决定斩草除根，派来的杀手将白月母亲杀害。 宁贵妃的狠毒让白月下定决心复仇，更名换姓为陆月，进宫成为美人，势要一步步剪除宁贵妃的羽翼，让其变得一无所有。 而宁贵妃也发现陆月的手段非比寻常，并逐渐发现陆月的真实身份。

白家庶女-白月少年时曾救助了一个眼睛受伤的落难少年。少年留下玉佩作为信物。但白月少年其实是太子，在回宫后不久便派人来想接白月进宫。 但白月的表姐利欲熏心，为了荣华富贵决定冒名顶替，不仅偷走玉佩，还火烧了白月一家，后成功入宫成为了太子嫔。太子登基后，成为称霸后宫的宁贵妃。 但白月并没死，而是隐姓埋名躲开了宁贵妃。但宁贵妃因恐惧决定斩草除根，派来的杀手将白月母亲杀害。 宁贵妃的狠毒让白月下定决心复仇，更名换姓为陆月，进宫成为美人，势要一步步剪除宁贵妃的羽翼，让其变得一无所有。 而宁贵妃也发现陆月的手段非比寻常，并逐渐发现陆月的真实身份。

守寡八年，陆弃娘买了个将军生孩子，战死的相公却突然荣归故里。看着剑拔弩张的两个男人，她灵机一动， 咱们三个人一起把日子过好，比什么都强！萧宴，张鹤遥“说只能选我！谁死你说！”改自番茄小说《攀高枝另娶， 我嫁将军你悔什么》。

守寡八年，陆弃娘买了个将军生孩子，战死的相公却突然荣归故里。看着剑拔弩张的两个男人，她灵机一动， 咱们三个人一起把日子过好，比什么都强！萧宴，张鹤遥“说只能选我！谁死你说！”改自番茄小说《攀高枝另娶， 我嫁将军你悔什么》。

寻找走失亲子十四年的父亲何治生，走遍大江南北，最终在山东淄博与摄制组相遇。摄制组跟随拍摄走失儿童父母群体数日，期间父母们用传单，广播，直播等手段扩散孩子们的信息，有人出手帮忙转发，也有人冷眼旁观。 　　He Zhisheng, who had searched for his son for 14 years, traveled all over the country and eventually met a filming team in Zibo, Shandong Province. The team followed a group of parents searching for lost children. The parents spread the info of children by flyers, broadcasts, and livestreams on SNS. Some people helped, while others watched indifferently.

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.